“You sit over there,” he says politely and deliberately, intimating a spot on the far end of a U-shaped white couch, “and I’ll sit over here.” As he does so carefully, a 1987 photo of him playing basketball against former Senator and New York Knick Bill Bradley comes into view over his left shoulder. He offers a warm introduction and a firm handshake. Standing just outside the door to his office in the Watergate building in D.C., without a cane or seeing-eye dog and dressed in a dark suit and purple tie, Greenberg is tall, well-built, and wearing glasses that rest near the graying hair at his temples. Sanford Greenberg, chairman of the board of governors of one of the best eye institutes on the planet, is blind.īut you might not know it when you meet him. His story is a cruel irony and a fascinating paradox rolled into a remarkable life, powerful and inspiring enough to rally a group of the world’s top doctors and scientists, and undeniably audacious enough to garner the world’s attention. Greenberg with his Rembrandt in his apartment. He eventually announced it publicly: The Sanford and Susan Greenberg Prize, $2 million in gold to whomever does the most to end blindness by the year 2020. And, more recently, the presumed shocked expressions of board members and faculty at Johns Hopkins’ world-renowned Wilmer Eye Institute, when, six years ago, an impeccably dressed blind man who had grown up poor walked up to a note-less podium and issued an astonishing challenge. Or his sense of the beloved Rembrandt that hangs in his Washington D.C.
Baltimore color me mind Patch#
Or the memory of the patch of illuminated New York City grass that one of his college roommates and lifelong friends, Art Garfunkel (yes, him), pointed to freshman year and said “Look at what the light does to the color” during a walk on the corner of Amsterdam and 118th streets on Columbia University’s Upper West Side campus.Įverything else is a picture he has to paint in his imagination, like his three children and four grandchildren. Sandy Greenberg was just 20 when he first heard those gut-punching words in a Detroit exam room, but they remain seared in his mind, just like the lasting image of his wife of 55 years, Sue. “Son,” the doctor had told him a day earlier, “you’re going to be blind tomorrow.” Driskell Prize from the High Museum Art in Atlanta.N Valentine’s Day 1961, his mother sat near the foot of his hospital bed and the light was almost gone. The artist also received the 2018 David C. Sherald painted the official portrait of former First Lady Michelle Obama for the National Portrait Gallery in 2018. Sherald received first prize in the 2016 Outwin Boochever Portrait Competition for the National Portrait Gallery in Washington, D.C. Sherald’s works have been exhibited at Art Basel Miami and in group and one-person exhibitions in New York, Philadelphia, Baltimore, and Chapel Hill, North Carolina. The well-traveled artist has done a private study residency with Norwegian painter Odd Nerdrum and completed additional residencies in Beijing, China, and Oranjestad, Aruba.
Baltimore color me mind skin#
In particular, she is known for using a grayscale to paint skin tones as a way of challenging the concept of color-as-race. Afterward, she shifted her attention to content that offered a critical view of African American cultural history and the representation of the African American body. Before Sherald moved to Baltimore, her art had a strongly autobiographical focus. Sherald soon relocated to Baltimore and went on to earn her MFA at the Maryland Institute College of Art, where she studied with Abstract Expressionist Grace Hartigan.
Baltimore color me mind install#
Two years later she helped organize and install international exhibitions in Central and South America. She also participated in Spelman College’s International Artist-in-Residence program in Portobelo, Panama, in 1997. Concurrent with her studies, Sherald apprenticed with artist-historian Dr. She earned her bachelor’s degree in 1997 at Clark-Atlanta University. She identifies those early years negotiating issues of race and identity in the American south as major influence on her art. Sherald, who was born in Columbus, Georgia, remembers being one of only a handful of Black students in the private school she attended.
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